Hello World!
Welcome to Song In A Mirror!
This is the very first post of what I hope will be a long-running podcast series. OK, so what exactly is "Song In A Mirror" and what's this "RMFSR" stuff all about? Let's take that second part first as it describes what you'll find inside this podcast feed: Rediscovered Music From Saved Recordings, "RMFSR" in short. "From Saved Recordings" could be old Master Tapes, MIDI or other Digital Files- possibly even stored on old Floppy Disks or even a written Music Notation Score or Chart which is the original format for recording and saving music handed down through the centuries. Whatever method that was used to remember a composition or performance, I'll do my best to find the best quality source to "Rediscover" the music and try to digitally restore and present it as if it were brand new today. I probably won't always be successful but I'm looking forward to what I find along the way.
As for the podcast name "Song In A Mirror" I'm going to be drawing from an archive of music that I've composed, performed and produced starting in my teen years. This is gazing in a Mirror if you will, to see what's over your shoulder behind you while facing yourself staring back today. It seems like a terribly narcissistic endeavor but I've also never kept a private diary or written a personal blog- this music is my diary. And of course there are friends along the way who collaborated to realize this music together. I'm looking forward to hearing all of them again.
I could continue writing more here and what inspired me to start but you'll have to just wait for the podcast.
So here's a short podcast audio seed. It's not at all representative of what you'll hear coming up in the following episodes but it just seemed intuitively right to post this here and now. This recording was inspired at the time by my university studies of Musique Concrète and was primarily recorded in my partner's office den in 1986 on a TEAC 3340-S tape machine where I spliced a 1/4" 4 track tape for sections to run backward and out of sequence, splicing tape pieces that had been randomly thrown on the floor and mixed up. I had read the Beatles had done this on one of their recordings and was intrigued by the randomness of the idea. The concept of doing things by chance sometimes inspired by the I Ching also was in my thoughts because I was writing a research paper on composer John Cage at the time. The recorded sound sources were from my new Yamaha CX5M Music Computer and my partner's Baldwin Baby Grand Piano in the living room. The other recording mixed in was made a few years later and is played on the Ensoniq EPS Sampler using samples of my Wuhan Chinese Cymbal, an IBM PC-XT Compatible "Clone" Computer booting it's 5 1/4" Floppy Drive, and a stock industrial sound effect.
With that, let's boot the podcast!
